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Photoshop Tutorials by Kevin Hulsey

Photoshop Tutorials by Kevin Hulsey
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Basic Photoshop Painting Techniques for Technical Illustrations
Drawing Subject: Chrome Tubing (Mountain Bike Fork Assembly)
Software: Adobe Photoshop CS CS2
Drawing Tablet: Wacom

Photoshop Tutorials By Kevin Hulsey - Painting Techniques

Before we begin this Photoshop painting lesson it is important to have a cursory understanding of color theory. We will be working exclusively in CMYK and not in RGB. Although there may be many good reasons to work in RGB (web graphics only, smaller file size, etc.), for our porposes, CMYK (A.K.A. Subtractive Color) is a better choice.

The diagram below illustrates the difference between Additive Color (RGB) Fig. 1, and Subtractive Color (CMYK) Fig. 2. Notice that when you combine Red, Green, and Blue in the Additive Color process, the combination produces white. In the Additive Color process, white is the combination of all colors. In the Subtractive Color (CMYK) process, when you combine Yellow, Cyan, and Magenta (CMY), the combination produces black. In the Subtractive Color process, black is the combination of all colors.

For the Additive Color (RGB) process to work, you need a light source (sun light, computer monitor, etc.). In printing, as it is in illustration, you already start out with white (the surface of the paper, art board, a blank digital file). CMYK is the color space that is used in the 4 Color printing process and the one that you should use if your work is ultimately going to be printed. Additionally, it is helpful to have a 100% pure black channel (black ink only) because we will be using that channel exclusively for our line art. You do not want any line art to print in all four ink colors because with even the slightest error in registration, it will become too thick and lose it's sharpness.

Photoshop Tutorials By Kevin Hulsey - Painting Techniques

In this demonstration we will be approaching the entire illustration process in much the same way as was done before Photoshop or any other computer graphics programs where created. In the non-digital world, you would start with an inked line drawing on illustration board. Using Frisket or a similar masking material, you would paint or airbrush one section at a time. "Frisket" is a term for a transparent self-adhesive plastic film used to mask areas in airbrush illustrations. The film was put on top of a line drawing and an X-Acto knife was used to cut a windowed area to airbrush through. Note: Click here for more information on traditional airbrush techniques.

The first step in the illustration process is to create the line art in Adobe Illustrator (below). This line art phase is done before any painting and color work takes place. Once you have completed the entire image in vector line art, you will export the layered file from Adobe Illustrator into Adobe Photoshop and convert it to CMYK format (see section 2). Then you are ready to start the painting process. Make sure you retain the layers when exporting by choosing the .psd export format.

Note: For more information on line art and perspective drawing techniques, go to the: Lessons and Tutorials section of my "Technical Illustration Students" page.

Photoshop Tutorials By Kevin Hulsey - Painting Techniques

It order to use the following painting and erasing techniques successfully, you will need to use a good quality drawing tablet (Wacom Drawing Tablet or similar). Before we start the painting process, the "Painting Cursor" should be set to "Brush Size" in the "Display & Cursors" window of "Photoshop Preferences." This will give you a round cursor that is roughly the diameter of the pixel dimensions for the selected brush size. Having this visual aid will help you to imagine how large an area you will affect with each stroke.

Photoshop Tutorials By Kevin Hulsey - Painting Techniques

During this drawing tutorial, you will learn how to illustrate a simple piece of chrome tubing. Keep in mind that the same techniques that we apply to the execution of this simple subject matter are used to illustrate the most complex object.

We start with the premiss that any reflective object mirrors the world around it. If a reflective object is outdoors, it will reflect the sky above it (represented as a cool color such as blue), and the ground below it (represented as a warm color such as brown). This is the psychological cue that fools our brain into thinking that we are looking at something reflective. Start by creating a new "Swatches" pallet (first save your present pallet). In this pallet we need four colors (blue C: 50 M: 15 Y: 2 K:0, brown C: 5 M: 35 Y: 80 K: 40, black K: 100, and white). With these four colors, we can create just about any mechanical object form chrome to rubber and plastic.

Photoshop Tutorials By Kevin Hulsey - Painting Techniques

Create a new layer in the "Layers" pallet and label it "tone" or "paint layer". Place it below the "line" layer. Set the line layer to "multiply" in the Layers pallet and leave the Tone layer set at "Normal". Click on the "Line" layer to activate it, then click the "Magic Wand" tool in the area surrounding the object (A). Make sure to click inside trapped areas (B) as well. Go to the desktop menu bar and scroll down from "Select" to "Inverse" to invert the selection. (Note: The outermost line must be continuous and have no leaks. Even a 1 pixel gap will cause the selection to enter enter unintended areas.)

Next click on the tone layer to activate it. Make sure your background color is set to white and scroll down from "Edit" to "Fill > Fill Background" to fill the selection with the background color (white). You now have a solid white background to paint over.

Photoshop Tutorials By Kevin Hulsey - Painting Techniques

Photoshop Tutorials By Kevin Hulsey - Painting Techniques

To create an airbrushed effect, use the "Paintbrush" tool exclusively. Click on the "Paintbrush" tool and set the "Mode" to "Brush" in the options tool bar. While still in the options toolbar, set the "Opacity" to a low percentage (25% or less). This makes any alterations very subtle. If you go too far, you can undo your strokes or revert to a previously saved version.

In the "Brushes" pallet, select a brush size that covers a large area and use a brush with a soft edge. In the example below, we have chosen a 50 Pixel brush. This soft edged brush will give your stroke an "airbrushed" or "feathered" effect.

Photoshop Tutorials By Kevin Hulsey - Painting Techniques

Click on the line art ("Internal Parts LINE") layer to activate it. Using the "Magic Wand" tool, select the inside areas of the chrome tube. Use the key command Ctrl-H (Windows) or Command-H (Mac OS) to hide the selection "Marching Ants".

Now click on the tone ("Internal Parts TONE") layer to activate it. Click on the "Paintbrush" tool to activate it.

Photoshop Tutorials By Kevin Hulsey - Painting Techniques

Photoshop Tutorials By Kevin Hulsey - Painting Techniques

We are now ready to start painting. If you would like to download a high-resolution test sample of the line-art subject below, download it here. Remember to place this line art layer above your paint layer and set it to "Multiply". The "Layer > Multiply" effect will essentially remove the white background and leave only the line art visible.

The first color we will use is 100% black. In Fig. A we start with a 100 pixel brush size and drag the Paintbrush back and forth horizontally while keeping the brush half way out of the selected area. You can use the "Shift" key to constrain the Paintbrush to a perfectly flat horizontal line.

In Fig. B we use a smaller 50 pixel brush size and drag the Paintbrush back and forth horizontally while again keeping the brush half way out of the selected area along the bottom edge. This gives the shadow a harder edge.

In Fig. C we use a 30 pixel brush size and drag the Paintbrush back and forth horizontally in the mid-section of the tube. This simulates the horizon line between sky and earth.

In Fig. D we use a 20 pixel brush size and drag the Paintbrush back and forth horizontally in the upper 1/3 area of the tube. Additionally, we drag the brush along the upper edge of the tube while keeping the brush half way out of the selected area as we did in Fig. B.

Photoshop Tutorials By Kevin Hulsey - Painting Techniques

Until now, we have worked with the 100% black color exclusively. Now we start the color tinting process. This time we set the Paintbrush Mode to "Multiply". This darkens the value (density) of the painted area, as well as tinting it. In Fig. E we use a larger 30 pixel brush size and drag the Paintbrush back and forth along the horizon line with our brown color. Remember to use the "Shift" key to constrain the Paintbrush to a perfectly flat horizontal line.

In Fig. F we increase the brush size to 50 pixels and drag the Paintbrush back and forth along the horizon line and along the bottom edge. Continue this process until the desired color and darkness is achieved.

In Fig. G we use our blue color and repeat the process until we achieve the desired "sky" color and darkness. If the color tint is building up too rapidly, you can dial back the Opacity in the Paintbrush toolbar. This makes each stoke more subtle. In Fig. H we see the chrome tube along with the other finished components.

Photoshop Tutorials By Kevin Hulsey - Painting Techniques

We now add the finishing touches to our chrome tubing by creating a highlight edge on the foreground rim. Click on the line art ("Internal Parts LINE") layer to re-activate it. Using the "Magic Wand" tool, select the inside areas of the chrome tube. Once you have made the selection, use the "Nudge" tool (arrow keys on your keyboard) to move the selection 1 or 2 pixels to the left. Now click on the inside areas of the chrome tube while holding down on the Option Key (Mac OS) or Alt Key (Windows). Notice that the cursor has a minus sign next to it. This will de-select the inside areas of the chrome tube, but leave intact the 1 or 2 pixels that are now out of the selected areas.

Using the "Nudge" tool (arrow keys), move the selection back to it's original position. Click on the tone ("Internal Parts TONE") layer to re-activate it, then click on the "Paintbrush" tool. Use the key command Ctrl-H (Windows) or Command-H (Mac OS) to hide the selection "Marching Ants". Using pure white from the Swatches pallet, slowly paint the highlight in.

Photoshop Tutorials By Kevin Hulsey - Painting Techniques

In the last sample below, you see our chrome tubing incorporated into the finished piece. There are many different approaches to accomplish the same ends, but through countless hours of trial and error, these techniques are what I have found to be the fastest and most consistent, using Adobe Photoshop as a drawing program.

Photoshop Tutorials By Kevin Hulsey - Painting Techniques

[tutorial and images © Kevin Hulsey - not to be reproduced without permission]



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